#1: “Errol Morris’s Wormwood is a groundbreaking hybrid of non-fictional and fictional storytelling modes-although no matter how you classify it, it’s the year’s towering cinematic achievement.” Nick Schager has been tinkering with his “Best Movies of 2017” list for Esquire practically all year, but now it’s set. None touched on so many themes-the nuclear age, the nature of evil, the fragmentation of the psyche-or had so many wild and wonderful scenes, be it a vision of apocalypse, a man sweeping the floor through the entirety of the song ‘Green Onions,’ or Agent Cooper (brilliantly played by Kyle MacLachlan) wrapping things up with the baffled question, ‘What year is this?’” Vogue’s John Powers puts David Lynch and Mark Frost’s Twin Peaks: The Return at the top of his list because “no other film this year was half so audacious or radical in its narrative (or non-narrative) style. Call Me is “tenderly humorous and gorgeously sad in perfect measure.” #2: “Juliette Binoche has never been better than in Let the Sunshine In, a subtle, emotionally intelligent romance (or anti-romance) from French auteur Claire Denis.” It casts a complete and total spell.”Īnd from TheWrap’s Alonso Duralde: “James Ivory’s script (from the novel by André Aciman) and the two astonishing lead performances by Timothée Chalamet and Armie Hammer make this a romance to remember.”Īlso on board is Carmen Gray, writing about “Ten of the Best Arthouse Films of 2017.
#INDIEWIRE BEST MOVIES 2017 MOVIE#
Call Me by Your Name is “the most romantic, swooniest movie of the year. Writing for Out, Bret Easton Ellis agrees with Almodóvar. Bayona ( A Monster Calls) picks two, Francis Lee’s God’s Own Country and James Gray’s The Lost City of Z. For Pedro Almodóvar, Luca Guadagnino’s Call Me by Your Name is “the great revelation of the year.” Carla Simón ( Summer 1993) goes for Valeska Grisebach’s Western, while J. Ostros Cines Europa has asked sixty-five directors who usually work in Spanish to write about a film that’s inspired them this year. Lady Bird tops the list at Uproxx compiled by Vince Mancini, Mike Ryan, Amy Nicholson, and Keith Phipps. Dowd, Ignatiy Vishnevetsky, Mike D’Angelo, Jesse Hassenger, Noel Murray, and Katie Rife posted their ballots, they’ve also each written about an “Outlier,” an “Overrated” film, an “Underrated” one, the “Biggest Disappointment, and “Most Pleasant Surprise.” Club have voted up a list of the top twenty films of the year. Best romantic korean movies on netflix 2021.Eric Kohn introduces the results of IndieWire’s 2017 Critics Poll: “More than 200 critics and journalists from around the world participated in the eleventh edition of the poll, making it the largest international critics survey of its kind.” Jordan Peele’s Get Out has fared well in several categories here’s the top scorer in each:īest Undistributed Film: Joseph Kahn’s Bodiedīest Director: Paul Thomas Anderson, Phantom Threadīest Actor: Timothée Chalamet, Call Me By Your Nameīest Supporting Actress: Laurie Metcalf, Lady Birdīest Supporting Actor: Willem Dafoe, The Florida Projectīest Documentary: Agnès Varda and JR’s Faces Placesīest Foreign Language Film: Robin Campillo’s BPM (Beats Per Minute)īest Cinematography: Roger Deakins, Blade Runner 2049īest Animated Film: Lee Unkrich and Adrian Molina’s Cocoīest 2018 Movie Already Seen: Lucrecia Martel’s ZamaĪnd for IndieWire’s latest Critics Survey, David Ehrlich asks, “What was the best movie moment of 2017?” Speaking of which, the Guardian’s critics have written about their favorites as well.